Raymond L. Atkins
The Front Porch Prophet
What do a trigger-happy bootlegger with pancreatic cancer, an alcoholic helicopter pilot who is afraid to fly, and a dead guy with his feet in a camp stove have in common? What are the similarities between a fire department that cannot put out fires, a policeman who has a historic cabin fall on him from out of the sky, and an entire family dedicated to a variety of deceased authors? Where can you find a war hero named Termite with a long knife stuck in his liver, a cook named Hoghead who makes the world's worst coffee, and a supervisor named Pillsbury who nearly gets hung by his employees? Sequoyah, Georgia is the answer.
After a long absence, A. J. Longstreet finds his best friend since childhood, Eugene Purdue, on his doorstep. Eugene now has terminal cancer, and he confronts A. J. with the dilemma of executing a mercy killing when the time arrives. An adventure into the past begins for the both of them, and soon one must make a decision that will alter his life forever.
Sorrow Wood
When the charred body of a promiscuous, self-proclaimed witch is discovered at a farm called Sorrow Wood, nearly everyone in the sleepy town of Sand Valley, Alabama, is drawn into the case. As the murder probe continues, a multitude of secrets are revealed, including one that leads back to the rock castle home of Wendell Blackmon, Sand Valley's police chief, and his beloved wife Reva. The town's inhabitants ruminate on the true meaning of commitment, love, death, hope, and loss as they delve deeper into questions such as Who was this woman? Where did she come from? and What did her presence mean to Wendell, Reva, and the townspeople of Sand Valley?
Camp Redemption
Travel to Sequoyah, Georgia, to meet Early and Ivey Willingham. Early is a lifelong underachiever who occasionally smokes marijuana, drinks malt liquor, and watches the world go by. Ivey is a modern day prophet who sees dead relatives and angels in her sleep. Together they own Camp Redemption, a failing Bible camp in the North Georgia mountains. After they are forced to close the camp, Early and Ivey begin to attract a motley collection of people in trouble—Jesús Jimenez, an abused runaway from Apalachicola, Florida; Millie Donovan, with children in tow; Charnell Jackson, an out-of-luck lawyer on the dodge; Isobel Jimenez, Jesús’ mother, and her other children; and Hugh Don Monfort, the local bootlegger. Trouble looms as these travelers settle into their new home. Gilla Newman and the deacons at the Washed in the Blood and the Fire Rapture Preparation Temple covet the camp, and they intend to have it. From that moment forward, nothing is the same at Camp Redemption.
Sweetwater Blues
Rodney Earwood and Palmer Cray had been best friends for as long as either could remember. They were brothers in all but the genetic sense, each born late in the lives of good women who had given up on the dream of motherhood by the time their respective miracles occurred. They wandered the hills of North Georgia, hunted the pine woods, fished the cool, green streams, and camped under the stars. They shared each other's clothing, each other's families, and each other's homes. They grew into tall young men, and on a hot May afternoon right after they turned eighteen, they both graduated from Sweetwater High School, numbers seven and eight in the crooked, sweaty line that held a class of thirty of Sweetwater's finest. Shortly thereafter, Rodney and Palmer flew a Camaro into a tree, Palmer flew into a haystack, Rodney flew into the great beyond, and nothing in Sweetwater was ever the same again.
South of the Etowah
Novelist Raymond L. Atkins offers a lighthearted change of pace in this collection of humorous essays. He explores a diverse range of topics as seen from the porch of his home on the southern bank of the mighty Etowah River in northern Georgia. From this lofty height he holds forth on holidays, parenthood, cars, home ownership, aging, travel, medicine, technology, ballet, movies, marriage, Shakespeare, dogs, cats, music, swimming pools, vintage television, nicknames, amusement parks, restaurants, school projects, language, computers, hair, bad jobs, William Faulkner, weddings, advertising, Broadway plays, yard work, hospitals, cooking, Elvis Presley, moving, money, art, college, dinner theater, and a variety of other subjects. Atkins lives and writes on a river, and the view from South of the Etowah is unique. It is funny, irreverent, wise, and well worth the trip. So come along! There is plenty of room on the porch, the coffee pot is on, and a cool breeze is blowing up from the river.
Set List
SET LIST begins in 1970, when Blanchard Shankles and John Covey come together and start making music in a rock and roll band named Skyye. They were two young men from Sequoyah, Georgia, with limited prospects and big dreams, who were joined in their quest for fame and fortune by their friends Ford Man Cooper, Chicken Raines, Jimbo Tant, Tucker McFry, and Simpson Taggart. These fledgling musicians set out upon a musical voyage that spanned four decades, fifty states, and uncounted miles as they pursued the elusive success that was always just one song ahead of them. Along the way the band played bars and clubs, carnivals and dances, dives and festivals, and together through good times and bad, sickness and health, romance, marriage, divorce, birth, and death, they each built two lives: the one out under the lights that they were drawn to like moths to a flame, and the one they came back to when the music stopped and the crowds went home. The story alternates between present-day North Georgia and the 1970s and is the story of a bar band as told primarily through the eyes of its lead guitar player, Blanchard Shankles, and its bass player, John Covey. Each chapter is built around an original song in the band's repertoire plus an iconic song from the archives of rock and roll, and together these songs and these chapters form the set list of the band members' lives.
They All Rest in the Boneyard Now
Raymond Atkins writes with intuitive wisdom, as he channels those from beyond the grave. His poetry gives voice to those who once mattered, those who time wants us to forget. In They All Rest in the Boneyard Now, Atkins wrestles death from the dusty clay and breathes life into dry bones while reminding us that every soul who once had breath is worthy of being remembered. These saints, sinners, socialites, and the socially inept are all victims of time, or circumstance, as we too
shall one day be. Atkins offers salvation to all who are tormented, and solace to those who seek eternal rest. – Renea Winchester, Award-winning author of Outbound Train